In Bed Reading A Book - 11.7" x 16.5" marker and acrylic paint on heavy weight paper |
Grace M. Smith Artworks
Thursday, June 24, 2021
In Bed Reading A Book
Friday, June 4, 2021
The Abstract
Creating abstract paintings is a liberating process. For each of these, I started out with specific colours but I didn't know what the end result would be. I never really know until I feel it's time to stop painting. I don't ever see an image in my mind. It all comes together as I put more paint on the canvas. Of course, the images are not concrete or defined. After all, they're abstract paintings...The goal becomes finding balance between the placement of colour, whatever those colours may be.
The first two paintings remind me of flames and fire. More so, in the second painting. And the heat seemed to cool off a bit once the turquoise blue was added although it also gave me the impression of dry ice...you know, the idea that something so cold can cause a burn...
The heat is somewhat subdued in the first painting by having added some pops of blue and purple. The flames feel contained. In the second, they appear to be raging.
24" x 34" acrylic paint on canvas |
22" x 27" acrylic paint on canvas |
24" x 30" acrylic paint on canvas |
20" x 24" acrylic paint on canvas |
I feel like I'm underwater in the third and then again, the aim was simply to find balance between the rose beige and the bright orange red against the blue backdrop.
Thursday, June 3, 2021
The Ethereal
The Gift - 20" x 24" acrylic paint, string, wax, and dry flowers on canvas |
Grace - 16" x 24" acrylic paint, wax and flowers on canvas |
The Gift #2 - 16" x 24" acrylic paint, string, wax and dry flowers on canvas |
Trouble - 20" x 24" acrylic paint on canvas |
Anonymous - 18" x 24" acrylic paint on canvas |
Tuesday, May 25, 2021
Shirl
8.5" x 11" on medium drawing surface paper |
Tuesday, May 18, 2021
Gian Luca
22" x 30" acrylic paint on canvas panel |
8" x 12" copy of pencil on paper |
There was a fear that I wouldn't be able to duplicate his likeness.
Assorted Soft Pastel
18" x 24" soft pastel on premium recycled paper |
9" x 12" soft pastel on charcoal and pastel coloured paper |
The Colour Of Water
8" x 11" watercolour and charcoal on paper |
9" x 12" watercolour, ink on charcoal and pastel coloured paper with a subtle laid finish |
11" x 14" watercolour, ink on charcoal and pastel paper |
11" x 14" watercolour, ink on charcoal and pastel paper |
8" x 11" |
7" x 11" |
7" x 11" |
Lines & Shadows
9" x 12" pencil on charcoal and pastel coloured paper |
9" x 12" pencil on charcoal and pastel coloured paper |
9" x 12" pencil on charcoal and pastel coloured paper |
8" x 9.5" on paper |
Thursday, May 13, 2021
The Dancing Lady
I had no intention to create a dancing lady...she just appeared. I went back and forth in the opposite direction to create these lines which gave me the impression of a person moving in circles...That's when I saw her body and where the dress would be attached.
I decided on bright pink, red and orange because they're vibrant and active. Also, expressive and alive!
She's got so much energy and moving at high speed, she might just fly away.
Sensuality
The Queen of Luxury - 18" x 24" soft pastel on premium recycled paper |
The Queen of Luxury 2 - 18" x 24" soft pastel on premium recycled paper |
I created these many years ago and around the same time...Queen of Luxury 2 was later submitted in 2015 for the 5th Aeclectic Tarot Forum's Collaboration deck.
Anxiety - Part 2
18" x 24" soft pastel on premium recycled paper |
18" x 24" soft pastel on premium recycled paper |
18" x 24" soft pastel on premium recycled paper |
Anxiety
12" x 16" acrylic paint on acrylic painting paper |
Tuesday, May 11, 2021
The Grey Zone
After Birth - 11" x 14" marker on bristol vellum surface |
I remember the day I was born...not the whole of the day. Who remembers what they had for breakfast or lunch yesterday? I remember snippets. While I didn't have the language to describe then what I saw and how I was feeling, I do now. I saw the ceiling. The environment felt white and grey. I heard voices. I must have been picked up because suddenly I could feel myself being wrapped in a blanket. It felt like someone was swaddling me. I felt constricted and unable to move my arms. Then I saw a flash of light (which must have been when a picture was taken of me). I did not feel 'happy' when I was first introduced to this world. There are times I really believe I've been working out this trauma my whole life!
Trying to put a feeling or a state of being down on paper is a moving process for me. It requires that one goes within. You're not simply recalling a moment. Memory is very much tied in to a sense. There are a handful of moments we remember and others we do not. I've asked myself over the years why that is and it must be because we're present to the ones we remember with our entire being. Most of us remember the really good moments and the very bad. Extremes will do that. But, what about all those moments in between? When we're taking out the garbage, washing our clothes, watching television and having breakfast? We tend not to be present to the 'ordinary' or to 'routine'. And the bad experiences tend to jolt us back into the present. I think that's why they're sometimes called, 'wake up calls'. They wake us up from our slumber and our daily automatic state.
It's been argued that a newborn can't possibly remember the day they were born, that there's a reason we don't remember much between the ages of 0 and 7. The brain is wiped clean because otherwise, there would be too much memory to store.
I remember moments right before I turned 2 years old...how the sun hit my face and the warmth I felt, how the laughter of my mother made me happy, how the dress felt against my skin (I sensed it was a pretty dress), how happy I was while sitting on my father's gold-coloured car as someone took a pic. It was as if I was experiencing or being introduced to nature for the first time. It all felt so new to me...and there was an excitement, a curiosity about it all. I miss that kind of wonderment. I find myself having to 'turn it on' in order to be able to experience it...like consciously looking at something from a different perspective.
I name this an aspect of the grey zone because I didn't 'feel' colour or rather, the primary colours. The greyness here represents some sadness, fear and a dull kind of ache. Awareness of myself and my surroundings in that moment wasn't a pleasant experience.
Splashes of colour were introduced a little later which brought so much relief. Here, the colour green is outside of my perceptual view...
Man With Gun - 11" x 14" marker on bristol vellum surface |
I combined these entries because they each have shades of grey to them. I experienced a similar feeling the day I was robbed at gunpoint. The dull ache became evident. I was in a fret to get to work and in that fret over nothing, I was forced back into the present by the presence of a gun pointed at my chest.
It was a spring morning, no one in sight except for me and the gunman. I can't tell you how many times I'd walked down this residential street with construction workers everywhere...but not that day. It was warm though cloudy and overcast.
A mentor had asked me a little after this episode to try to think why 'this had to happen'. I've thought about it over the years and still have no answers. I've grown tired of platitudes and fake positivity. We add meaning to the things that happen to us. I'm not interested in hearing about how everything happens for a reason. It provides no comfort. I figure it's what we tell ourselves out of fear that more than this, there's 'nothing'. I believe in cause and effect, yes, but if you're going to try to explain to me that there's a divine reason for everything that happens, it doesn't ring true, not in the way it used to. And perhaps, that realization is both terrifying and liberating but that's for another post, another discussion. I just feel that it's minimizing, diminishing and invalidating to have someone else tell me how I should feel about 'my' traumatic experience. Truth is our actions have consequences and every decision we make and every action we take leads to a specific outcome. Everything is exactly how it's supposed to be, though not necessarily how we think it 'should' be.
Having said that, it doesn't mean I didn't feel or sense something in the moment that might be deemed 'divine'. My senses heightened. I could feel the whole of myself. No, my life didn't flash before me. "I" flashed before me. When they say it feels like time is standing still, that's true. A moment felt eternal, expansive, filling up the frame of my experience. I was the calmest I'd ever been. My heart was beating outside of my chest but I was present to every gesture, conscious of every movement I took, conscious of my body, how I stood, how my hands felt, the clothes against my skin...and aware of him and that gun. I was also aware of a presence on my right and my left. The best way to describe it even looking back on it now, is that I felt there were wings on either side of me...long and wide, stretching out horizontally. I could feel them out of the corner of my eye.
Here again, I use the same colour green...it's my depiction of peace and calm in the presence of uncertainty, doubt and fear. It represents my life. But, this 'life', this 'peace' are being threatened by the actions of another. The fear here is that the entire page will soon be covered in black...that "I" will cease to exist.
Monday, May 10, 2021
Control and Containment
....
11" x 14" marker on bristol vellum surface |
I love the texture that was created from layering colour on top of colour on top of colour. I started off with a specific colour only to see it become something else. Some blue grey is situated on the left hand side. I feel like a bird looking down...I notice what looks like a star, also on the left hand side of the page. I appear to be striving towards control, containment and balance. This composition also helps me sigh which I consider to be a good thing.
11.7" x 16.5" marker on heavyweight paper |
11" x 14" marker on bristol vellum surface |
The original piece has a dark border around it but I left it out as I cropped the piece for the blog...So, dark navy blue framed this specific landscape. It felt 'right' to my eye to do that and 'complete'. I'm not sure whether it's due to the choice of colour here. I didn't feel the need to frame the drawing in the image above the way I did with this one. In any case, it's here without the border...and therefore, creates a similar effect - for me - as the one above.
Thursday, May 6, 2021
Anticipation
I created these back in February of 2021. I began exploring with marker to see what effects I could produce. My Art is an attempt to explore what's going on inside. Other times, I just want to see 'what happens' when I add specific colours on the page, when I use certain shapes, when I combine images with ones that make no sense. I love playing with colour...it's evident here.
10" x 7.6" marker on mix media paper |
10" x 7.6" marker on mix media paper |
10" x 7.6" marker on mix media paper |
10" x 7.6" marker on mix media paper |
In Bed Reading A Book
In Bed Reading A Book - 11.7" x 16.5" marker and acrylic paint on heavy weight paper Maybe this should have been named, "The ...
-
In Bed Reading A Book - 11.7" x 16.5" marker and acrylic paint on heavy weight paper Maybe this should have been named, "The ...
-
22" x 30" acrylic paint on canvas panel 8" x 12" copy of pencil on paper There was a fear that I wouldn't be able ...
-
Creating abstract paintings is a liberating process. For each of these, I started out with specific colours but I didn't know what the e...